September 2022

Tired Drag Queen vs. Saints — The Story of NOT SO VIRGIN MARI

My drag is of an activist nature and it’s always political, always against capitalism, imperialism, patriarchy and colonialism. I try to promote body acceptance politics through my shows and show people that not all queens have to have bodies that  meet the standards set by society. Drag gives you the opportunity to be not just a corset wearing, shaved and dolled up performer, but also an old queen with 8 cats at home, the one that yells at neighboring kids. That is my drag persona.  

If you come to my show, you must be prepared that I might throw water at you, pinch your ass, might even lick you. You must be ready to lose an earring. Every time you think: “who would dare to do that?” I will.

Protest as an art form and first exposure to drag

Not So Virgin Mary

Any kind of activism is art for me, that’s why I will always think of drag as art. For me, it is one of the oldest and most beautiful forms of Performance art, which is very versatile. Its boundaries are endless and it gives you so much opportunity and perspective, but you have to understand what a queer aesthetic is. In general, heteronormative performance art is has exhausted itself for me, it is very rare for someone to create something valuable in this direction and even if they do, it is mostly by eccident. In other cases, it is just performance for the sake of making a performance. Queer culture is a very specific thing, and if you don’t know it well, any attempt at straightwashing it is futile.

If you ask me, my first contact with drag was on March 8, on the steps of the parliament, when I uttered a speech and then the phrase: “My pussy is my choice”, got quoted and went viral. It is still quoted and that for me is drag. The first drag competition was organized by the Equality Movement and of course I lost because another drag queen, Sofia McQueen wiped the floor with me (laughs). Of course, I wasn’t angry about it, on the contrary, I was very happy, she did it so well and so beautifully, it was an amazing sight.  

Tired queen against saints and Georgian Capm

My drag character, who is not very different from me, is very, very, very tired of society and traditional orthodoxy, and the only thing left for her to do is to trample all that is holy: crosses, saints, icons, etc.

Not So Virgin Mary came up during a conversation with friends. The topic of saints and the Mother of God came up, and since my name is Mari, I noted  that I was the farthest saint from a virgin.

When I talk about my main inspiration, I always laugh. Whenever I talk to my drag queen friends about it they all name famous queens like: Devine, RuPaul, Lady Bunny, and when my turn comes I remember Verka Serduchka. The first drag performer I ever saw was Verka Serduchka, and if there’s anyone I consider my Drag Mother it’s her. Trash Culture is the main inspiration for my drag. 

Camp is the right word to describe my shows. During the shows I can be angry, in a good mood, very sexy and provocative, but despite this, it will all be very funny and spectacular.

Camp is a political protest combined with satire. The clowns at the royal court, the one who showed the horrible reality in the funniest and most entertaining way possible.

Being a Queen as part of identity

Not So Virgin Mary

On one hand, it can be said that hand drag has no rules, but there still are some small laws. Firstly and most importantly- don’t take yourself too seriously. If you can not ridicule yourself others will. Second and equally important- you must have something to say, just being pretty doesn’t cut it. And lastly,  you breathe- ask for money, you sneeze- ask for money, you fix your hair- ask for money, never work for free, you are a queen and must know where you stand. But don’t forget that you are not the only queen, there are many queens and there is enough space for all of us. 

Preparation for performances begins with the search for a concept. There is a theme and I try to weave a story around it. This will be followed by Samgori second hand and looking for a makeup artist, because I have a very bad hand and can’t do make-up on my own. Then comes the costume. Before making the shows, my friend and director Salome Bauer helps me, who also gives me her ideas. I, of course, ignore everything and do as I want. This is how a huge vagina installation was created for Tbilisi Pride Fest. The next stage is to prepare the performance, arrive at the venue, see the stage and lighting. Then rehearsals and finally it turns out that there is no stage, no lighting. Then a heart attack, changing everything, rearranging (laughs).

After finishing your makeup, you become a completely different person. At the first Drag Ball organized by Tbilisi Pride and the initiative group (Gyorgi Cheminava, Davit Gogishvili, Mate Khidesheli), I remember that after finishing the makeup I got into a big fight, for no reason at all, and kept  apologizing the whole day  next day. I acted like a real queen, I didn’t remember anything anymore… After the transformation, you really become a queen, you become a different person- don’t touch me, make way, do you want to take a photo? Stand in line and prepare 20 GEL.

The Not-So-Virgin Mari Beyond Drag and the Unstoppable LGBTQ+ Community

Not So Virgin Mary

I’m pretty much the same person outside of drag, I just don’t have that much confidence and tactlessness, I’m more polite. In order to survive, I have to work as a freelancer. There’s not much difference between me and my drag persona. In a patriarchal, orthodox world, your identity is already a form of protest—the fact that you are a woman, don’t shave your legs, walk down the street without a bra, is already a performance, and you go into defensive mode. The same goes for feminine gays, trans women, butch lesbians, etc.

It took us a long time, but the LGBTQ+ community has grown and is ready to talk about some topics boldly and publicly. After 2013, everything has changed, we are not going to be silent anymore and it is clear why. Even July 5 could not silence us and we continue to grow. Same goes for Drag. The buzz around it can be explained by the fact that there is almost nothing hetero left in modern art, everything is gay and people will have to get used to it little by little. The biggest and most influential modern Georgian artist is Demna Gvasalia, and if you look closely, all his work is fed by drag culture. It’s drag from head to toe. People don’t want art influenced by Soviet mentality anymore.

Drag is very expensive. Despite the fact that there are many talented women in Georgia who are ready to put all their energy into all this and can create the best look even for 1 GEL, we must learn to tip. Different venues also need to understand that you have to pay more for Queens shows because it’s not just a few minute show, there’s weeks of work behind that 5 minute performance. If we want to do quality drag, the audience should learn to tip and the venues should appreciate the work accordingly.

Unwritten rules for Drag Queens and HOMO ERECTUS beyond Drag

Drag has always been a part of my life, ever since early childhood, even if I didn’t have a name for it. I think I didn’t find drag — drag found me. Drag helps us in discovering and expressing ourselves. To me, drag culture is also unique in that it is the best way to convey the pain, sadness, joy, frustration, or other specific feelings that are uniquely queer.

How to make art out of things that society deems frivolous

It all started a few years ago. My friend called me and told me that Nia Gvaua was making a show and needed queens. I remember, I was very worried, what was I supposed to say at home, how was I supposed to sneak out late at night, and then sneak back in after the show was over. Yet everything went well- we had a few rehearsals, and the process was very pleasant and fun. In my first show Yulia was a pharaoh and I was a slave. During the show, Yulia whipped us, the slaves caressed them, I fed them grapes. The show featured Vanilla Ice, another very talented Queen, who played Moses and freed us from being Pharaoh’s slaves. All the emotions I got on Bassian that night were unforgettable.

For many, drag is associated with femininity, sex work, as if this form of self-expression is not art and is considered cheap entertainment, which, of course, is a misconception. However, I understand why the public perceives it At the same time, drag brings to the fore all the things that society tries to cover up and hide – you are feminine, you go on stage as a woman, you play a role that is not acceptable to society, you perform as a female artist to songs that society did not approve of at the time, doesn’t consider it appropriately valuable. But this means the world to me- when wearing a dress, on high heels and heavy makeup on, you are a clown for them, yet for me it is a challenge. I love how Georgian and non Georgian queens challenge this, and create art from what the society deemed unworthy.   

Inspirations and messages behind HOMO ERECTUS’ shows

I met Yulia, one of the first Georgian Drag Queens, when I was doing my first show. She was a true inspiration for me. Yulia is an old school Drag Queen, her drag is inspired by New York queens of the 70’s and 80’s of the last century, especially by Divine. She has distinct facial movements, emotions, her shows are always bigger.  

My inspirations are theater, performing arts, Broadway, musicals. I love Broadway singers, Patti LuPone, Bernadette Petters, I love Lady Gaga and Pink, they both played a pivotal role in my development. I also love my childhood cartoons and stop-motion movies, Tim Burton’s creations, Coraline, etc. But the biggest inspiration for me are the people who live next to me. 

They are the ones that teach me to love, not to fear, to be happy, that I am alive, that I feel pain, that I feel things. With my shows, I want to remind people not to get in each other’s way, but on the contrary- support each other in order to excel, move forward, be happy; I want people to feel empowered and believe in themselves when watching my shows. I don’t want fear to dictate my life, fear of going out. I don’t want to fear, as I know that if I do, it will become contagious and infect others.

The unwritten laws of drag

My approach is that- you are a Drag Queen when you do everything by yourself. You must learn how to do your own makeup, sew costumes, do your nails, style your wig, which is the most fun part of drag. Drag is not just going on stage, in fact, one has more to do before that. This is a huge responsibility and has a high price, but I don’t mean the monetary value- you can not buy this identity, it must be a part of you.   

I understand that not every queen can be the best makeup artist or is good at sewing, but one can learn these skills. Makeup is crucial when doing drag, your facial expression defines a lot, and I think no one can do that for you- you must know what your makeup expresses during different shows. 

Drag taught me to work under extreme circumstances, because everything happens very fast and chaotically in the world of drag. There have been many instances, when I found out about the show 1 or 2 days prior and I did everything in a rush; prepare a costume, wig, decorations etc.

HOMO ERECTUS beyond Drag

I am a biochemist in my senior year. I work in my profession, I love my job and I’ve put a lot of work into it over the last few years, but I chose a very underrated profession. The life of scientific workers in our country and not only in our country is very hard. Most of my colleagues, who already have a lot of experience and knowledge, have to work many jobs at the same time to meet the minimum requirements. Sometimes I get very tired, every day after I return to work from vacation I think about quitting and doing drag full time, but I still can’t bring myself to give up on this profession because, as I said, I love my job.

I am a very cheerful, socially active and creative person. I like to read fiction, write, listen to music, draw, and communicate with interesting people. I always have a crisis of finding a romantic partner, for some reason I have a very strong need to always love someone and be loved by someone. Spending time with me is fun.

The future of drag culture and playing with colorful paper

Drag revives the child in you who has creative, insatiable power, creative drive, which is always looking for something, new forms, new entertainment, trying to create new things: cutting, sewing, gluing. Doing drag is like playing with colored sheets. The most important thing here is pleasure. No matter how well you put on a show, no matter how much drama there was, no matter how impressive a dress you wore, the most important thing is to enjoy it, be happy and have fun.

I am very fortunate to be living in a time when drag is still underdeveloped in our country and to be able to contribute to it along with other very talented queens. People still don’t know much about drag. Unlike other countries, Georgian drag is not commercialized, which allows queens to do shows more freely and to be more authentic. Georgian drag differs from drag in other countries in this way – everything is just starting and it is very interesting to watch how something new is born from nothing.

 

 

 

 

Nia Gvatua and Success Bar — “Everything I’ve Learned from Queer People”

I am Nia Gvatua, a mother first, a photographer second. I have been interested in photography since childhood, I am a DJ and the owner of the first Georgian gay bar, Success.

It all started with my great love for underground spaces, I love electronic music and club spaces. I lived in Barcelona for many years and loved visiting queer spaces when I travelled, queer bars and clubs have always been my favorite places in any country.

First memory, gay club “Chance” and naked gay men swimming in the aquarium

My activities today remind me a lot of my childhood. My mother died early, when I was five years old, and although I don’t remember much, she still left a mark on my life. She was an artist by profession and lived a bohemian lifestyle, she had a very good taste in different areas of art and listened to the music that is still very much  alive today, she had outstanding visions. I often went with her to various artistic spaces, clubs and bars. I lived in Italy for five years, then in Moscow.

I remember it like a scene from a movie: I’m small, I got lost in one of the clubs, I’m very scared, I don’t recognize people, I’m short, I’m touching everyone’s feet, someone took me to the stage and asked who lost a child, I’m very nervous, I’m shaking. Years later, I learned that I had gotten lost in a Moscow gay club called Chance, which had a huge aquarium where naked men swam like fish.

After my mother’s death, I moved back in with my grandparents, who are very conservative. It was very difficult for me to return to Georgia, I didn’t like getting used to the new environment and strict grandparents. In order to cope with stress, I opened a small bar in the yard, near the entrance, where I sold Coca-Cola and made a puppet theater. I had different ideas, I dressed up my neighbors, I did makeup. Now that I think about it, I do exactly the same thing today, but on a more serious level – I own a bar and do shows with Georgian drag queens.

The story of new SUCCESS BAR

The story of Success begins in 2016. I was 26 years old when my gay friend asked me to go to a gay bar in Tbilisi, the old Success. I’ve been there many times before, but I didn’t know it was a gay bar, not many people did. When we arrived, the situation was so bad, I was heartbroken – terrible interior, very tasteless lighting, bad playlist, very expensive drinks. When I saw that the only queer bar was in such state, I started thinking about what I would do with Success bar and what I’d change.

This thought became an obsession. For three months, when I passed by, it was as if this place was calling me and asking for help. I would imagine it was mine and change everything. At first, I contacted the old owner of the bar. I knew him and offered to help him run the bar in exchange for some money. I didn’t even think that this space could become mine. I reckon I’d spend 2-3 months improving the bar and then be on my way.

The owner told me that the bar was in an awful state, they couldn’t even pay the salaries and there was no way of making that much money. Later, it so happened that my partner, Juan, got me in touch with a Georgian businessman, Temur Ugulava, who gave me the money before I could finish the sentence and tell him that it was a gay bar. I called the previous owner and offered him that I would rent the bar and bring it back to its glory.

At first everyone was skeptical about it. Gay men from the older generation would tell me that what is dead could not be revived. Yet, I still believed that Success would rise again. This was back in 2016. Five years may not be much, but a lot of things were different back then — I was referred to as a heterosexual woman who decided to open a bar for LGBT+ people. Back then we didn’t know what queer meant. 

A safe space and place for queer people to connect

Back then I still hadn’t fathomed that opening a queer space could become a form of activism. Since then, many things have changed, a lot has been done for LGBTQ+ people, public information regarding LGBTQ+ issues has increased, attitudes have changed. I think Success, which is a safe space, a home and a connector for many LGBTQ+ people, also contributed to this.

Before that, a lot was done in this direction, but Success was like an explosion in people’s minds. I also learned a lot – until then, LGBTQ+ did not exist in my consciousness, there was only gay. Through success, I and many others have learned that there are many sexual identities, that gender is inexhaustible. Success contributed to the origin of a kind of movement. These people had been in this city before, but they were scattered, and success brought them all together in one small space.

The success also contributed to the development of drag culture. At first I wanted to bring foreign artists, but then, when I directly encountered the situation in the country and what LGBTQ+ people had to deal with, I decided to give space to local queer artists. This is how drag culture emerged and developed in our country.

Georgian and non-Georgian UNDERGROUND culture

Georgian and non-Georgian underground spaces are very different. The first and most important is the drug policy, which is particularly inhumane in our country. Georgian underground culture does not have a long past, and observing all this is very interesting. Queer people have just emerged in these spaces. They’ve been there all along, of course, although we didn’t have a series of queer nights that left its mark on the underground life.

At the same time, underground spaces have assumed the role of a kind of shelter for people with mental problems; who have problems with their identity, with their family; For people who are not able to realize themselves, these spaces provide a kind of escape, where they can get away from everyday problems and everyday challenges at least for a while.

The underground space isn’t just about entertainment, and it often takes the form of activism, especially for queer people. People don’t just dance for fun, standing together in this homophobic environment and state is really a form of protest. In Georgian underground spaces, you will meet a lot of brave people who fight for freedom and do not adapt to this oppressive system.

Everything I’ve learned from queer people

Success and queer people taught me that you need to fight for your own happiness, freedom and development; that you should not be afraid of circumstances and still continue to move towards the goal; You should not believe if they tell you that you cannot do something – everyone can do anything, the main thing is for you to start moving towards your goals. 

Queer people helped me get rid of complexes. I’ve been to many events where I’ve seen a plus-size person sexually display their body and not be ashamed of it. I believe that we are all linked together and set an example for each other. This is especially true to the members of the Queer community. 

We strengthen and empower each other even when the outside world is not so friendly to us. And this chain grows more and more, so more and more free people, devoid of complexes, appear in our society. I am now more open, more confident, more accepting.

A blind and curious homophobe

Homophobia is actually inexperience. A homophobe, in many cases without thinking or analyzing, chooses the path of hatred. According to my observation, there are two types of homophobes: one who blindly chooses homophobia and if someone like that ends up in Success, they start screaming, get violent, and end up with police. And the second kind is a curious homophobe, who is surrounded by homophobic influences, but still feels deep down that something is not as they have been led to believe, and is interested in learning more. When the latter finds themselves at Success and sees that nothing ominous is happening here, on the contrary, that it is a very friendly community, they keep coming back, gaining friends and, gradually, recusing old ties filled with hate. Such cases have occurred many times in our bar- when in the beginning we are all like; “What are they doing here?” and later we see them as frequent guests. 

In fact, a homophobic person is also a victim. We should be less strict with them. I know it’s often hard not to get irritated by their actions, but I still think we should show our love. Christ also teaches us to rise above hatred, to help each other to free ourselves from hatred and false ideas.

Major Challenges for Queer People and the Birth of a Modern Goddess

The most important challenge for queer people today is not to be corrupted by so much aggression, so much hate, and to keep ourselves. It is very difficult to keep calm, not to lose face and not to be depressed, when your family turns away from you, your place in society is not found and the future is very dim. At the same time, the most important challenge is to accept ourselves as we are, to know ourselves. It doesn’t matter if you are gay, lesbian or transgender, you should love yourself and not run away from your identities, you should not be afraid of your femininity or your masculinity.

It may sound very ambitious, but sometimes I think that I am a modern goddess, a kind of medium and I have a special mission in this world. It wasn’t always like that, I got here slowly, through a lot of hard work, and I give queer people the biggest credit for that. So many colors, so many positive emotions, music, planets gave me the opportunity to feel like this, and my freedom lies in this, to continue my spiritual journey and experience everything that is dear and important to me.

Photo: Nia Gvatua’s personal archive

 

 

Anastasia Kartosia — I like myself, my queerness is beautiful

I am Anastasia Kartosia, aka Tasa, 19 years old. I study at the Faculty of Political Sciences, I am queer, an activist and an ambitious person.

Bullying

I was 11 when I realized I liked girls. I don’t remember how I felt at the time, but I never felt ashamed or uncomfortable with myself. I took this news very naturally, and at the time I had no idea what reaction the outside world might have to it. In the end, this reality hit me very hard.

Often, when I talk to queer people older than me, they tell me that they started thinking about queerness and coming out late. I had it very early – I was in 8th grade when I was “outed” and everything hit me at once. At that time, I already had a rather strained relationship with my peers and classmates, no one knew about my queerness, but they didn’t like me. I was bullied because of my appearance, because I was “a geek”…

 I had my first coming out with my classmate’s little sister whom I trusted a lot. It was well received and I was very happy in this little comfort zone of mine. Later the whole school heard about it though. I had just turned 12 yet I was asked how I had sex, they asked me questions related to religion. I was stunned and had no idea what to answer. There was a lot of bullying, both psychological, physical and sexual. This was my daily reality – I went to school and found a very negative environment. At the time, I had no resources to deal with it, and no one around me to be an example for me, about whom I could say, hey, they’re like me and still have a good life, and are proud to be themselves… I found myself in an awful situation . By the way, there were other queer students at my school who were not out then. Today, when I talk with them, it is interesting how their experience differs from mine – at that time I was a phenomenon for the school, children like me were not “out” and hadn’t been seen till then. I felt isolated.

I became aggressive and depressed. I was not ok  mentally, so I started hurting myself. I stopped going to school . All through eighth grade, I would pack my bag, leave the house, but not go to school. The management knew about it, everyone who bore the responsibility knew. Adults, who witnessed this story, did nothing, on the contrary, they scolded me. Then, when I was already transferring from this school, the principal called me and told me that despite missing the whole year, I would still get 10s in every subject. At that time I thought it was a kind gesture on their part, but then I realized that they just didn’t want to deal with me.

Family

I didn’t talk about it with my family. I thought that I had to bear everything alone and I regret it to this day – I regret that I did not ask for help and did not tell the truth to anyone. I distanced myself from my family, I didn’t talk to them for many years and we had a superficial relationship. For them, I was a “little problematic” child and they could not fully understand what was happening to me or around me.

My mother heard what had happened later, from others and took it very hard. Not because I turned out to be a lesbian, but because I didn’t tell her. She couldn’t do anything in that situation and I know that she still hasn’t forgiven herself, she can’t get away from this past. I was young and I thought everything was my fault, I thought I had to deal with it myself and I didn’t want to appear as a bad person in her eyes. When I think about what my mother would have done, if I told her the truth, she would probably help me change my environment first. Later, when I really changed the school and my surroundings, many things changed for the better – I no longer thought that I would be stuck in that school forever and it would never end.

When I was little, I was a very happy, very good child for the whole family. I was crazy about talking, doing things, always radiating positive energy. Then I never laughed again, I felt miserable. If anything was stolen from me, it was my natural grace. Now I think that I have slowly started to let go of these traumas, I am regaining myself and I am happy.

Your own biggest supporter

I haven’t lost anyone because of my queerness. I made friends when I became openly queer, before that I was more lonely. All the relationships I’ve made have been made in this context. I don’t want someone in my life who won’t accept me for who I am.

Actually, the most radical thing you can do is to love yourself, not in spite of things, but with them, absolutely everything. If I want to tell people something, this is it. When I had to, and as my mother says, chose to walk this path alone, I became my own biggest supporter. I used to say that if others don’t like me, I will like myself. That’s exactly what saved me – I didn’t let anyone dictate where I belonged. Today I am creating my own place.

Everyone knows about me being queer, I hide it from no-one, nor do I restrict my self for anybody’s sake. I’ve built my experiences around this notion- when all the cards are laid out on the table, one can see everyone for who they are. I am a quite confident person at that, I do not enjoy the role of a victim and think that situations should align with me. For example, when I became a freshman, I created an environment where saying something homophobic was “not ok”, and so if someone blurs out anything inappropriate, everyone starts to feel awkward. Therefore one must demand to have fixated spaces around them, in order not to be left out. 

I have noticed that older queer people have much harder time when establishing themselves. For example, I do not like club culture, and even though I’ve been told that it is the only place where one can truly be free, I do not like this notion, because I want to be myself wherever I go. 

We must do more than establish our spaces, we must also fight for public spaces.”

Sexism and homophobia

When I think about the obstacles that women have to overcome, things that comes to mind are domestic violence, sexual abuse and economic discriminaton. For how many centuries, the issue of economic independence has been relevant, when was it first written about? Yet the problem is still there, to this day. I have an acquaintance who was told where to enroll, a pregnant woman may be fired from her job, or not employed because of this, and many more similar cases exist, we should be protected from this by the law, but often these laws do not work in practice.

I don’t identify myself as a woman, it’s just that society perceives me that way and I have relevant experiences. I keep thinking about domestic violence and sexual violence, how different it is in our case—in a world where femininity is so directly tied to men, and moreover, where femininity cannot be defined without men. Our life is not related to men. When you see your femininity as separate from men a lot of anger starts to accumulate around the issue. If you are a lesbian, you will definitely be asked if you have tried to have a relationship with a man. There are constant question marks, how dare you not like men. This interesting mixture of sexism and homophobia is constantly in the air.

Queer representation

I am a very ambitious person, so I want to have it all, even in this country. Freedom for me is having a successful career, even in politics, without it being influenced by my sexual identity; having a family, children; not worrying about being verbally or physically harassed in the street while walking with my partner; not fearing professional failure due to people rejecting me. 

 

I see the solution in queer representation. When I read the constitution and see that discrimination based on race, skin color, sex, religion and “other signs” is prohibited. I don’t want to be categorized as “other signs”. To achieve this, first of all we need the state taking a firm position on the matter. But, unfortunately they are all populist, I am just a headache for them and they avoid talking about the issue. There are so many cases where queer people being attacked which aren’t even accounted for, and even if they are, they are not investigated properly. They should pay more attention to this matter and not  just let the attackers go after giving them a 100 GEL fine. Such cases have a huge impact on me.

As for the queer community, I can say that I don’t like how divided we are. I often hear that some people don’t like each other, don’t like the attitudes one might have, or the politics they support ets. This bothers me a lot. We must stop the division inside our community and cherish one another, everything else will come naturally. From what I see, the new generation is less prone to stigma, much more accepting, more certain and self-confident. Those who claim that they will not allow this in Georgia have already outlived their time. And if it is not yet true, it soon will be. A new generation is coming, whose values are radically different. This is a natural process that cannot be stopped by artificial restrictions.

“I don’t just want to survive – I want to live”

 

Now I help other children to avoid the horrors that I had to pull myself through. At least to make it easier for them to be in this position. In addition to loving myself, this was also one of the methods of dealing with trauma for me – in the last four years, I have talked to many children and they have thanked me so much that I am very proud of myself. What I didn’t have and needed, I became for others. I put the energy I had used on anger and resentment into something that helps others.

I have a very simple goal — I’m interested in queer issues, I’m working on that. I will fight for everything and I will not allow myself to give up. I can’t just drop everything and give up. If I don’t do it, who else will?! Yes, there are many factors that limit you, but at the end of the day, the individual is responsible for their life and they can take it in the direction they want.

When I see how people live with fear, complexes, self-inhibition, the only word that comes to my mind is – “Dare!”

You have to find the inner strength to not set limits for yourself regardless of the environment. I don’t just want to survive – I want to live.

The narrative of our lives

Everything is a matter of narrative. We create the narrative of our lives and I don’t like the narrative of the victim very much. Yes, it is true that we are oppressed, and I have experienced this very bitterly myself, but I like myself, I like my queerness, I am beautiful, and I find a lot of cool things in all of this. I like the representation of queer themes in films and animations, in real people, in their stories, in queer movements… I may be romanticizing it, but I think it needs a little romanticization. I want people to not look at their queerness as something aggravating and holding them back, but the opposite. I also can’t say that I’ve never thought; what if I was “straight” and that my life would be much more simple, but today I look at it like this – what does my identity add to me. This is the bottom line for me.

I’ve often felt that I was too much of “myself” for some. They hinted that I should tone it down a little, had to make my self expression less loud, or I wouldn’t be able to fit in.  I thought about it too But, some time ago, Tbilisi Pride invited me to a queer gathering, and everyone there really liked my extra expression in everything. I want to look the way I feel – wearing a very large mushroom hat that I made.

I want to always be this level of “myself”.

 

Drag Culture as LGBTQ+ Activism — Meet Georgian Drag Queen, GERILYN STONE

The term drag queen dates back to 1870 and refers to an actor who wears the clothing and gender role associated with a person of the opposite sex in society. A 1971 article by American drag queen and activist Lee Brewster defined drag queen as a homosexual or a transgender person characterized by hyper femininity, defiance, and colourfulness.

Over the years, drag has acquired more purposes, expanded its boundaries, and today not only men, but also women and people of other gender identities are involved in drag culture.

Drag is characterized by excessive theatricality, make-up and clothes. Through lip-syncing, live performance and dance moves, drag queens challenge gender stereotypes and seek to amplify the voices of the oppressed.

Georgian drag appeared only recently, and the number of people who try to adapt this culture to Georgian reality is increasing day by day. One of the first Georgian drag queens is Gerilyn Stone, who appeared on the Georgian underground scene a few years ago. As the 23-year-old queen says, everything started with cross-dressing (wearing clothes associated with the opposite sex), which later turned into drag.

Queer.ge spoke to Georgian drag queen and presents Gerilyn’s story about drag, identity, LGBTQ+ activism and self-discovery.

Crossdressing, Identity and Queer Nights Series

There are people for whom drag is just a form of expression and an art form, but that’s not the case for me. Drag is not only an art form or a form of expression, but also a part of identity. My story as a drag queen begins with cross-dressing—I loved dressing up as a woman since I was a child, and once I became an adult and gained my independence, I often expressed myself in this fashion. It gradually turned into me becoming a drag queen.

Everything started when a series of queer nights appeared in Georgia. At first  there was Horoom organized by Club Basian, where once a month I was given the opportunity to dress as I wanted and express myself as I perceived. It brought me kind of a relief and I felt at peace all month knowing that there was one night when I wasn’t bound by society’s norms and I could feel free to be who I am for a few hours. It made living amongst transphobic society the rest of the month easier.

A series of queer nights allowed me to free myself and express myself as much as possible, but since it only happened once a month, I tried to make the most of those few hours, and that most  was becoming more and more extra, and that extra always ended as drag.

Drag as a form of LGBTQ+ Activism and the Birth of Georgia’s Marilyn Monroe

It all got more serious after Nia Gvatua, my Drag Mother, suggested I do a show for Halloween. I agreed without much thought, because as an LGBTQ+ activist, I felt that I could not take a better step than this for people who live under the constant pressure of society and do not dare to realize their wishes and dreams. To this day, I receive evaluations from many people that my performances help them be more courageous, brave and fearless. This makes me very happy. The name Gerilyn Stone came from American Vogue. They were interviewing me, I still hadn’t chosen my name yet and suddenly it was decided that I was Georgian Marilyn Monroe, aka Gerilyn- Georgian Merilyn.

I always try to convey different important messages to the audience through music, make-up, costumes, story and movements. It’s not just a beautiful sight—behind every performance there are small, hidden mine-fields. In the beginning, when I started doing drag, my shows were mainly aimed at caricaturing women who are trapped in a masculine world, who only think of love and relationships and don’t want to reach out to other aspects of life. That is why the shows were characterized by excessive drama, grotesqueness.

The audience always has the impression that my performances resonate with my life. This is often not the case. For me, as an artist, it is a bigger challenge to go beyond myself and touch on topics that are far from my personality. I always try to get into a role and convey emotions that are foreign to me.

Mental health and stereotypes surrounding drag queens

Messages are always changing. Nowadays, I am involved in trans activism and try to speak about the needs of trans people through my shows. In the beginning, when I decided to do drag, it raised a lot of questions in the LGBTQ+ community as well, and they stereotyped the issue that because I was doing drag, I was necessarily a binary trans person. I kept having to explain that this was not the case, that drag identity/culture and trans identity are different. There was a case when personal relationships also interfered with my drag work, but I soon realized that it is not worth giving up what gives one pleasure and is an integral part of one’s life.

GERILYN helped me develop a lot. I’ve always been an introvert, but due to my work and interests, I had to be very social and surrounded by people. There were times when my mental health became very unstable and GERILYN built a kind of wall that took the hit and did all the things I couldn’t do. It ultimately helped me become better. It’s hard for me to describe her because GERILYN ‘s character often changes, but I’m sure of one thing — she has good intentions and wants to bring good to the queer community.

The difficulties involved in doing drag 

Fortunately more people are aware of the existence of this culture now and the demand has increased, although this was not always the case. In the beginning, when we started doing drag, there was no budget and we had to buy everything at our own expense. A few years ago, we were putting on a look for 5 GEL and there was no space to keep the props— one friend was carrying the shoes while the other held on to a dress. I had to go to street stands to buy all the accessories I needed on a budget, and I also had to find a place to do my makeup before the show.

Today everything is different, making shows is not so difficult anymore. I’ve learned a lot over the years, but I’m always thinking about what new things to offer my fans, how to attract more viewers, and how to expand my opportunities. However, the most difficult part of doing drag is removing the make-up after the show and returning home without showing how “fishy” you “were” not long ago.

Drag culture, the mainstream and a history that is still being written

Drag culture differs from other art forms in that it leans more toward mainstream and popular culture, but that doesn’t detract from it at all. Although drag only appeared a few decades ago, it still has a rich history and an entire queer liberation movement behind it. Drag tells the story of people who have been oppressed and marginalized for centuries.

Plus, other directions of art are mostly already developed, there are strict norms, dogmas. As for drag, everything is just starting, and it is very interesting to play on it, to contribute to its development.

KOSA and future plans

I am currently working on my showcase KOSA. So far we have only had one event at club KHIDI, but we already have an offer from Armenia and we will do a second show there. I curate all this.

KOSA shows deal with social issues and problems that exist in our society.

KOSA is focused on making people think more about the issues facing the LGBTQ+ community, as well as discovering new talents. Our goal is to find people who want to become famous and don’t know what steps to take to get there—who to contact, how to start working on their shows, etc.

Advice for aspiring queens and a journey of self-discovery

Doing drag helped me find the right people and find a community where I feel comfortable. Perhaps this alone is worth taking the step. However, at the same time, be prepared that your life will change radically and you will have to make many discoveries about gender, sexuality, and identity. This experience is like a journey that will bring you closer to yourself, you will become more accepting, more informed and better understand what your desires are and what you need to do to make them come true.

 

Aia Beraia – We need spaces to talk

I’m Aia Beraia, a queer woman and gender researcher.

I finished my master’s program at Tbilisi State University. While studying,  I got involved in feminist and queer activism. I chose Gender Studies program after reflecting on how unequal the society we live in is, including the inequality between women and men and the patriarchal tendencies that can actually be seen in everyday life. 

Being an internally displaced person from Abkhazia is a big part of my biography.

Childhood years

I vaguely remember Sukhumi, I was three years old when we left. At first, we lived with my grandmother in one of the villages of Samegrelo. My parents were students back then, They were very young when they came to Tbilisi and, so Tbilisi became a sort of refuge for them.

Being an IDP has affected my life in many ways. I went to one of the elite public schools in Tbilisi, where I hid the fact that I was displaced – this status represented shame along with the stigma of poverty plastered onto it. Being IDP is still a stigma. In my childhood the society did not show the solidarity and support towards the IDPs that it should have. Unfortunately, this has not changed, and modern events confirm it.

Photo: Vakho Kareli

As a child I was influenced by books, movies and TV shows I could get my hands on. I read Astrid Lindgren, Mark Twain… one of my favorite works was Harry Potter – the world and the characters that were described in these books had a great influence on my values.

The fact that I went to a Byron school where they taught me English was also very important. It opened me up to British and other cultures and helped me see how diverse the world is. 

Understanding queerness

I started thinking about it as a teen, as it was a turning point. However, back then I didn’t know what “queer” meant, not did Iknow  who a lesbian or a bisexual was. I had very limited knowledge about sexuality in general. Yet I was different from girls around me.  I watched how they reacted to their surroundings and how they expressed themselves. As teenagers, a lot of girls started to dress more feminine, use make up… I was never interested in any of this, on the contrary, I rebelled against being “girly”… At that point, for the first time, I noticed that something was not quite “normal”.

Photo: Vakho Kareli

Coming out and self-identification was something that came after I enrolled in Gender studies program. It was kind of a turning point for me because I made friends there who were open about this issue. I never had such friends before. This opened me up to discover myself and pushed me to get involved in activism 

I came out to my mother. She is a person with quite open and liberal attitudes and, yes, I would say that she is my supporter. I was really lucky in this regard, unlike many members of the community.  

Traumatic experiences and barriers

I have lost friends because I am queer. I felt like I wasn’t welcome in certain groups, that I was considered a bad person… As if all the bad things that happen in society are my fault because of my queerness. Isn’t it strange? And yet it happens-

Our community is a kind of scapegoat that is blamed for the hardships, war and cataclysms that occur and this feeds hatred toward us. 

Unfortunately, I don’t feel at home in this country. I would be free if I could autonomously, freely define my values, my interests, my views. Not just define these things inside my head, but to execute all this in a safe environment. Freedom of expression and gathering are precisely the most important issues for me at this point, the things that the state purposefully does not provide. It is crucial to explore the socio-economic needs of different groups and queer people. We are a poor country and this especially hits community members who are often oppressed and excluded by family members, from work environments, etc. Basic human needs, housing, health care, education must be provided.  

Photo: Vakho Kareli

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As queer women, we face many additional barriers in life and sexual harassment is one of these. I think queer women are even more vulnerable to sexual harassment, be it in public, on the street or at work. Additionally, queer people do not have equal marriage rights and the civil rights or benefits that come with it. This is yet another area where we feel that we are not recognized by the state as equal citizens. Although this issue is not on my agenda at the moment, it is very important. If circumstances and opportunities were, I wouldn’t rule out the possibility, I have even thought about it.

Visibility politics

First of all, we activists demand that our freedom of assembly and expression be protected in order to fight for what we need. For this we need spaces but we have a huge problem- we can not gather in public. Visibility politics is very important to our community. We must not give up on this, we must work in this direction, and the Pride initiative is one of the important tools for this. We often contemplate as to how much we can do, when it comes to public demonstrations, which is correct..Nevertheless, I think that

We must constantly aim to achieve the way of expression called public assembly and march. We should always consider whether to hold Pride. This issue should always be on the agenda.

coming out is very important for visibility. The more people appear, the more people speak about themselves and on behalf of the community, the more the people will see that this community is a part of this society, and will see the struggles of its  members. In addition, coming out is important for the social circles of which we are a direct part of – our family, our neighborhood, friends, colleagues… This has been confirmed by research – if a person knows a representative of the LGBTQI community directly, they are less prone to homophobia. It is important that your immediate circle sees you.

Photo: Vakho Kareli

Visibility politics is necessary for raising awareness. As I mentioned, holding a public demonstration is sometimes a controversial issue, but demonstrations are not the only way to increase visibility. The Pride festival organized by Tbilisi Pride, is a prime example of this. This event was attended by 2000 people last year. I think such events are important, as well as online campaigns and media activity.

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Despite the difficulties, I still think that the most important thing is not to give up, to keep faith in a better future and to continue creating our spaces, to evolve and get stronger.